Photo Gallery
Taking part on a round table at the Stockhausen Courses in Kürten, Germany, on August 2011. From left to right: Flo Menezes, Hans Tutschku, Jerome Kohl, Rudolf Frisius and Morag Grant.
Recording Quaderno in São Paulo, on June 2011.
World première of the simultaneous performance of both version of Quaderno at the VIII BIMESP, São Paulo, on August 2010 (marimba: Herivelto Brandino; guitar: Daniel Murray).
Flo Menezes rehearsing for the world première of O Farfalhar das Folhas with the Sond'Ar-Te Electric Ensemble at the Festival Festas de Lisboa, Lisbon, on July 2010 (photo: Tânia Rajczuk Dombi).
Flo Menezes working on Max/MSP with his Musical Assistant André Perrotta for the world première of O Farfalhar das Folhas in Lisbon, on July 2010 (photo: Tânia Rajczuk Dombi).
Flo Menezes rehearsing for the world première of O Farfalhar das Folhas with the Sond'Ar-Te Electric Ensemble, conducted by Jean-Sébastien Béreau, at the Teatro Municipal São Luiz of Lisbon, on July 2010 (photo: Tânia Rajczuk Dombi).
Download domestic videos with an excerpt of this rehearsal:
- passages with soloists and live-electronics
(13,7 MB) 
- passage with the whole ensemble
(32,4 MB)
Performance of Parcours de l'Entité at the Sonic Explorations Festival of the London Sinfonietta, London, on October 2009 (flutes: Michael Cox; percussion: David Hockings).
Download the short interview that Flo Menezes gave for the documentary film by Ben Saxon (18,8 MB)
Flo Menezes ready for the rehearsal of A Dialética da Praia at the Festival Música Nova, São Paulo, on September 2009 (in the background left: percussionist Fábio Oliveira; photo: Tânia Rajczuk Dombi).
Flo Menezes diffusing the electroacoustic sounds of Parcours de l'Entité at the Festival Música Nova, São Paulo, on September 2009. (Photo: Tânia Rajczuk Dombi).
Performance of Parcours de l'Entité at the Festival Música Nova, São Paulo, on September 2009 (flutes: Rogério Wolf; percussion: Thierry Miroglio; photo: Tânia Rajczuk Dombi).
Live-electronics control (Max and Kyma) together with musical assistant André Perrotta at the Brazilian première of Mahler in Transgress, on August 2008 in São Paulo. (Photo: Tânia Rajczuk Dombi).
Brazilian première of Mahler in Transgress with Paulo Álvares and Nahim Marun (pianos), on August 2008 in São Paulo. (Photo: Tânia Rajczuk Dombi).
Working at SWR Experimentalstudio für akustische Kunst, Freiburg, on Retrato Falado das Paixões, on March 2008 (in the background: technical assistant Gregório Karman).
Working at SWR Experimentalstudio für akustische Kunst, Freiburg, on Retrato Falado das Paixões, on March 2008.
Mounting the PUTS loudspeaker orchestra for the world première of Crase with his assistant André Perrotta at Sala São Paulo, on December 2007.
La Novità del Suono played in its North-American première by the Contemporary Chamber Players of Stony Brook in New York conducted by Eduardo Leandro on November 2007.
Lecture at CCRMA, Stanford, in the presence of John Chowning, on October 2007.
Preparing his lecture at the SpatLab of CRCA, San Diego, on October 2007.
Lecture at the Harvard Electronic Music Studios on October 2007 (in the background: Hans Tutschku).
Controlling – with the musical assistant André Perrotta – the live-electronics for the world première on September 2007 in São Paulo of Traces with the Arditti String Quartet (TV emission on April 2008).
World première of La Novità del Suono by the EOC (Ensemble Orchestral Contemporain of Lyon) conducted by Daniel Kawka in São Paulo on August 2006.
Mounting the PUTS loudspeaker orchestra for a concert in 2006.
Mounting the PUTS loudspeaker orchestra for a concert in 2006.
Working at the Klanglabor of the Kunsthochschule für Medien Köln, Germany, on Todos os Cantos, on February 2005.
Download a domestic video in which Flo Menezes works at the Klanglabor on
Todos os Cantos (14,5 MB)
Rehearsing with the GRM-Acousmonium in Cologne, Germany, in 2004 for the world première of O Livro do Ver(e)dito.
Rehearsing with the GRM-Acousmonium in Cologne, Germany, in 2004 for the world première of O Livro do Ver(e)dito.
On stage after the world première of labORAtorio, Theatro Municipal de São Paulo, on February 2004.
Concert in 2003 with friends, from left to right: Eduardo Gianesella, Rogério Wolf, Ricardo Bologna, Paulo Passos and Joaquim Abreu.
Teaching at the Stockhausen-Kurse Kürten, Germany, in 2001.
Teaching at the Stockhausen-Kurse Kürten, Germany, in 2001.
Lecture and concert at the BEAST, Birmingham, UK, in 2001.
After his lecture at Musiques & Recherches, Ohain, Belgium, with Annette Vande Gorne and her students in 2001.
Preparing his lectures and concert at the University of Cologne, Germany, in 1999 (with Marcus Erbe and, in the background, Christoph von Blumröder).
Working on Sinfonias as guest composer at IRCAM in Paris on October 1997.
Preparing his concert (with Parcours de l’Entité) with Luciano Berio with the Acousmonium of the GRM at Salle Olivier Messiaen in Paris on October 1997.
At Studio PANaroma with his students, ca. 1997.
At Studio PANaroma with his students, ca. 1997.
Working with the Arp Synthesizer at the Studio für elektronische Musik der Musikhochschule Köln, Germany, in 1988.
Working at the Studio für elektronische Musik der Musikhochschule Köln, Germany, in 1988.
Working at the Studio für elektronische Musik der Musikhochschule Köln, Germany, ca. 1987.
Composing at home while working at the Studio für elektronische Musik der Musikhochschule Köln, Germany, ca. 1987.